A new one in my current project of setting some tunes from the “Southern Harmony, and Musical Companion.” I love writing countermelodies and this arrangement was no exception. I’m grateful to the teacher of my freshman theory course, Dr. Walter Teutsch, for beginning our first two years of theory with a year of counterpoint, FIRST, before “Harmony.” Usually, it’s reversed. He began with a solid semester of 16th Century (sacred, Italian) counterpoint, and then a semester of tonal counterpoint (J.S. Bach style). I specify the sacred and country because by the time I’d finished grad school I’d had courses in Italian secular counterpoint, English secular counterpoint, etc. Anyway, thank you Dr. Teutsch (now long deceased) who escaped from Nazi Germany before the US entered the war.

The Turtle Dove

Another “May Memories” favorite. This tune from the Southern Harmony, and Musical Companion compiled by William Walker in 1835, is so romantic it’s hard to imagine it’s actually a hymn tune…but it is.

Pescador de Hombres

I admit, I’m having fun playing live in service again, but I don’t want to lose the pleasure of doing these videos either, so I’ll continue both. For the month of May, I’m repeating some of my past favorites. Come June, I’ll start adding new ones. If you have requests and I can do them, I will. Just let me know what you’d like to hear in the comments.

My Faith, It Is an Oaken Staff

Rev. Wells, pastor of Lakewood UCC, where I’m music director, introduced me to this grand Congregational hymn with which I was not at all familiar. Now, it’s one of my favorites: My Faith, It Is an Oaken Staff.

Check out the representative text at and the author’s full bio at

The tune’s name is THE STAFF OF FAITH and its composer is anonymous. It’s been var­i­ous­ly de­scribed as tra­di­tion­al Swiss mel­o­dy, or an Engl­ish folk­song. It’s in public domain.

After seeing his picture at the above links, the following account gave me a laugh: “he was a s student at the Highbury Independent College; but withdrew, partly on account of failing health, and partly because his spirit was too free to submit to the routine of College life.” He looks as if he and I both share an equally dissolute life! Nevertheless, he wrote an amazing amount of moving texts.

Let the Lower Lights Be Burning

The composer of this famous old hymn is P. P. Bliss. Follow this link to know more about the hymn: and this link to learn about the Bliss, himself: I remember, so clearly, as a small boy hearing my mother and father playing this in our front room (my father on piano, my mother on violin) as I fell asleep on the front room couch.

Amazing Grace

Another May repeat of a favorite. The actual name of this hymn tune is New Britain and it’s originally found in the Southern Harmony, and Musical Companion assembled by William Walker in 1835.

When Peace Like a River

Repeating some of my favorites during May. If you want to sing along, it’s #438 in the New Century Hymnal; or, a representative text may be found at

Back to in-person

We’ve been doing in-person services for several Sundays following CDC guidelines. Among those restrictions, we don’t sing hymns or have choral music because those are such high risk behaviors during the pandemic. I did an instrumental version of a hymn this past Sunday and I noticed there was a soft, eerie, ghostly echo of the melody. The congregation with every so quietly, subvocally, humming the tune. Hopefully, that’s not a risky behavior, or at least it’s an acceptable risk behavior. It does give the people a chance to express themselves. I hope it’s safe. It was certainly touching.

Now that the primary musical vehicle for my work at Lakewood is no longer online, I”m trying to tidy up a list of everything I’ve posted online during the pandemic. I plan to repeat some of my own favorites, maybe one a week. Here’s one I really like a lot!


Easter Sunday was the first Sunday I returned to playing services in-person. It had been more than a year. The Easter videos for last year were among the very first in our effort to continue to provide spiritual community only via the internet. I’ve learned a lot during this year, especially about making videos, but also about music itself. At 76 you wouldn’t think I’d still be learning about music, but I am, mainly about how much better the music gets the simpler you make things!

This past Sunday was my third week of playing an in-person service. During these past two weeks, I’ve taken a “vacation” from making videos, except for an Earth Day compilation that will post this coming Thursday, Earth Day.

So, I’m resuming making a couple mid-week videos today with this beautiful tune from The Southern Harmony, and Musical Companion: Charlestown.

When I do these, I take the melodies directly from the Southern Harmony itself, deleting any of the harmony and counterpoint of the original, keeping only the melody. If it’s also published in various hymnals, I completely ignore those settings, so I’m interacting only with the original tune, devoid of even its own original harmony.

I didn’t know this tune, but I discovered and making the video, it does appear in some hymnals. I’m glad. It’s a beautiful melody.

Thorny Desert

If you’ve ever spent time in the desert, you’ll know that despite the thorns there are times–especially in the moonlight when you stand there alone, very still, listening–the dew sparkles and glistens and there’s a refreshing, peaceful, soul warming breeze.

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