For some reason the email of The Dream of Love That’s Come didn’t display the audio link. Here is is: https://soundcloud.com/hilton-kean-jones/the-dream-of-love-thats-come.
Our move is finally over and I’ve got my office (and my mind) more or less tidy enough to start back to work. The first project was to finish this anthem/song/whatever…
You can download the score at this link:
And you can listen to it here:
I’d love to get a grant that would pay the musicians, conductor, and studio to make a recording of the couple dozen anthems (hymns) I’ve written, but I really don’t know where to even apply for such a thing. My stuff’s too commercial and, doubly damned, it’s religious. Not promising for grants.
Until such a utopian future, I’ll have to satisfy myself with computerized orchestral demos, like this one. The score gives the words, so you’ll have to use your imagination.
A word of explanation about the title, The Geography of Dreams. Some folks have recurring dreams. I don’t, but all of my numinous dreams take place in the same geographical location. It’s a city on a peninsula beside a sea, similar to San Francisco or St. Petersburg where I now live; however, it’s definitely in Europe — feels as if it might be Spain — and in a far different time…whether in the distant past or distant future, perhaps another dimension, I can’t tell.
The different movements of The Geography of Dreams are programmatic pieces based on actual numinous dreams I had that take place in the city by the sea.
So, while I’m dealing with this insomnia, I’m creating score videos of the different movements. Not doing them in order of performance, but rather just as the spirit moves me.
In the midst of moving so almost everything I own — except a handful of clothes, the coffee maker, and my laptop — is in boxes! I’m having insomnia so in the wee hours I’m returning to make videos of scores playing along with their tracks as a way to stay somewhat sane.
A basic skill for any organist/church musician is composing hymn descants. Descants are countermelodies that make the singing of the hymn tune more enjoyable for the congregation…they allow the singers to enjoy the tension of counterpoint at a visceral level.