Category: Music Composition

The Geography of Dreams (complete in 6 movements)

Composed: 2014-2015
These are all real dreams that have stuck with me over the years and that take place in a world that reoccurs very often in my dreams, ever since I was a kid. This dream world has a complete geography that is quite consistent and which I’ve explored over the decades. It’s a peculiar feeling to know that this other world exists. It seems to exist outside of this time stream…but it is very real.
Score available at hiltonkeanjones.com/music.

This is first time I’ve assembled them all in one video. I’d done some, but not all of the movements in spearate movements. It was kind of fun watching this complete video on the living room TV via the Roku YouTube app. Here’s the YouTube link: https://youtu.be/lQubEagvM3s. There’s a bit of compression applied by YouTube itself, but it’s not nearly as bad as Apple Music or some of the other streaming services apply. To my ear, the streaming service which has the least offensive compression is Amazon Music.

Compression is electronic treatment of the sound that basically makes louder spots in the music a bit softer and softer spots a bit louder so you can listen to the music over the roar of the traffic when you’re driving. I’m being a bit facetious…that’s not the real reason. The real reason is that the sound coming through speakers doesn’t deal with the complete dynamic range as well as live music in a room and the human ear. The difference between acoustic music in the flesh and recorded sound is so vast that when you a hear a piece like Stravinsky’s Rite of Spring, live for the first time after having heard it only in recordings you blown away by all the things happening in the music you were completely unaware of.

Have This Love (SATB recording)

This was recorded by the Bayshore Baptist Choir, Tampa, FL, Dr. John Richmond, conducting, back in 1993. I composed it around that time, maybe a year or two earlier. It’s one of my choir’s favorites to sing. It’s so simple, it practically sings itself.

Come, O Spirit, with Your Sound (for organ without pedals)

I was stumbling through my files looking for a prelude for this coming Sunday’s service (it’s Pentecost Sunday), and I found this that I’d arranged during the early days of the pandemic. We weren’t having services in person because of the lockdown. Instead, we had videos of Rev. Wells preaching and lots of music tracks created by me! I wouldn’t go back to those days, of course, but it was, beyond all doubt, one of the very most productive times in my life as a musician. From what I’ve read, productive in earlier pandemics, historically, skyrockets.

Cervantes – Andante & Allegretto (for solo piano)

This is a two movement piece. Both movements, Andante & Allegretto, are in this video. I’ve been working on this piece for a veeeeerrry long time (couple decades). There’s pieces like that that seem to take forever to fully materialize as you’d like. I think it’s done.

I’m an octogenarian. Not having achieved great fame and fortune as a classical composer, and probably never will, I continue to write and make these videos. I know why actually: composing is an activity that makes me completely lose track to time. I forget to eat. I don’t notice it’s way past my normal bedtime.

Activities that do that mustn’t be ignored. That’s something that matters to one. That’s why I continue to do this. I’m not tilting at windmills (sorry, not sorry), I’m doing this because I have a great, great, marvelously great time doing it.

The videos are just a marker for myself, that the pieces are as finished as they’re going to get. Same with publishing them on sheetmusidirect and sheetmusicplus. It’s a way of putting a pin in them.

Solicitude

This is another of my arrangements of a tune from Southern Harmony, and Musical Companioncompiled by William Walker and published in 1835. It’s a compendium of marvelous, mostly anonymous hymn tunes from American folk musicians.

My original settings of these arrangements featured solo piano but with the participation of two string instruments (a high and a low) and a treble woodwind which were written in such a way that they could be performed live by separate instrumentalists or covered by a second keyboardist performing on two, stacked synthesizers.

After I’d done two albums of folk tunes like this (the second one was mainly Irish tunes), I gave up on the idea of ever doing them live and began the task–only partially complete…many more to go–of rewriting them as solo piano pieces with no orchestral accompaniment.

As sometimes happens, you go back to things. I finally decided the practicalities of sheet music publication “aren’t the boss of me,” and I’m video taping them in their original form. I’m also publishing their sheet music as “keyboard duos” in case there’s some keyboardists out there who want to do them. I love concert grand piano, but I also love a good electric keyboard and these days I’ll bet there’s a least as many of those in homes as acoustic pianos.

One last tidbit: I love the string countermelody I wrote for this arrangement. (The Southern Music tune is the right-hand of the piano, NOT the string line…that’s mine!) I’m going to steal my own countermelody (from myself) and make it the main tune in a song of my own!

Resignation (original arrangement)

Yesterday was Maundy Thursday and at the evening’s tenebrae service, I played this tune. I never posted a video of the original orchestrated version, but I did post a video of the piano solo I made of the same tune (see https://hiltonkeanjones.com/2023/05/19/resignation-2/). I really like this orchestrated version. I actually like all my orchestrated folk tune arrangements but there’s no sheet music market for that. Ah well…hope you enjoy “watching paint dry” while you listen. The second verse is my own compositional contribution (a restatement of the tune but in the the relative minor for you theory buffs).

As a Doe Longs (solo piano)

This is one of my transcriptions of one of my own choral pieces. You can hear the original choral version at https://soundcloud.com/hilton-kean-jones/as-a-doe-longs. Interesting how one’s feelings about what’s the “right” tempo change over the years. You’ll notice I currently like a MUCH more leisurely tempo. When I was a kid, I thought Albert Schweitzer’s J.S.Bach tempos were woefully far too slow. Now, at 80, I understand: as the future gets shorter and shorter, one wishes to savor each note.
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#pianomusic

Follow Me! (solo piano)

This is another of my transcriptions for solo piano of a choral piece of mine, Follow Me!. You can listen to the original choral piece at https://soundcloud.com/hilton-kean-jones/follow-me-satb-with-edit.

Have This Love (solo piano)

This is my own solo piano transcription of my choral piece, Have This Love. You can hear the original choral version at https://soundcloud.com/hilton-kean-jones/have-this-love. I’m in the process of making keyboard (either solo piano or pipe organ) transcriptions of some of my choral/vocal and solo instrumental pieces. No particular reason other than I enjoy playing them! LOL

Time Will Tell

This pice, Time Will Tell, is the first movement of a new collection of pieces, entitled Hourglass Pieces. All the movements are about time. Sheet music for this movement, “Time Will Tell,” will be available at sheetmusicdirect (https://www.sheetmusicdirect.com/Search.aspx?query=hilton%20kean%20jones) and sheetmusicplus (https://www.sheetmusicplus.com/en/category/arrangeme/479/hilton-kean-jones/)

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