I was stumbling through my files looking for a prelude for this coming Sunday’s service (it’s Pentecost Sunday), and I found this that I’d arranged during the early days of the pandemic. We weren’t having services in person because of the lockdown. Instead, we had videos of Rev. Wells preaching and lots of music tracks created by me! I wouldn’t go back to those days, of course, but it was, beyond all doubt, one of the very most productive times in my life as a musician. From what I’ve read, productive in earlier pandemics, historically, skyrockets.
Author: Hilton Kean Jones
Composer and performer, retired college music professor, lyricist.
Cervantes – Andante & Allegretto (for solo piano)
This is a two movement piece. Both movements, Andante & Allegretto, are in this video. I’ve been working on this piece for a veeeeerrry long time (couple decades). There’s pieces like that that seem to take forever to fully materialize as you’d like. I think it’s done.
I’m an octogenarian. Not having achieved great fame and fortune as a classical composer, and probably never will, I continue to write and make these videos. I know why actually: composing is an activity that makes me completely lose track to time. I forget to eat. I don’t notice it’s way past my normal bedtime.
Activities that do that mustn’t be ignored. That’s something that matters to one. That’s why I continue to do this. I’m not tilting at windmills (sorry, not sorry), I’m doing this because I have a great, great, marvelously great time doing it.
The videos are just a marker for myself, that the pieces are as finished as they’re going to get. Same with publishing them on sheetmusidirect and sheetmusicplus. It’s a way of putting a pin in them.
Solicitude
This is another of my arrangements of a tune from Southern Harmony, and Musical Companioncompiled by William Walker and published in 1835. It’s a compendium of marvelous, mostly anonymous hymn tunes from American folk musicians.
My original settings of these arrangements featured solo piano but with the participation of two string instruments (a high and a low) and a treble woodwind which were written in such a way that they could be performed live by separate instrumentalists or covered by a second keyboardist performing on two, stacked synthesizers.
After I’d done two albums of folk tunes like this (the second one was mainly Irish tunes), I gave up on the idea of ever doing them live and began the task–only partially complete…many more to go–of rewriting them as solo piano pieces with no orchestral accompaniment.
As sometimes happens, you go back to things. I finally decided the practicalities of sheet music publication “aren’t the boss of me,” and I’m video taping them in their original form. I’m also publishing their sheet music as “keyboard duos” in case there’s some keyboardists out there who want to do them. I love concert grand piano, but I also love a good electric keyboard and these days I’ll bet there’s a least as many of those in homes as acoustic pianos.
One last tidbit: I love the string countermelody I wrote for this arrangement. (The Southern Music tune is the right-hand of the piano, NOT the string line…that’s mine!) I’m going to steal my own countermelody (from myself) and make it the main tune in a song of my own!
Resignation (original arrangement)
Yesterday was Maundy Thursday and at the evening’s tenebrae service, I played this tune. I never posted a video of the original orchestrated version, but I did post a video of the piano solo I made of the same tune (see https://hiltonkeanjones.com/2023/05/19/resignation-2/). I really like this orchestrated version. I actually like all my orchestrated folk tune arrangements but there’s no sheet music market for that. Ah well…hope you enjoy “watching paint dry” while you listen. The second verse is my own compositional contribution (a restatement of the tune but in the the relative minor for you theory buffs).
As a Doe Longs (solo piano)
This is one of my transcriptions of one of my own choral pieces. You can hear the original choral version at https://soundcloud.com/hilton-kean-jones/as-a-doe-longs. Interesting how one’s feelings about what’s the “right” tempo change over the years. You’ll notice I currently like a MUCH more leisurely tempo. When I was a kid, I thought Albert Schweitzer’s J.S.Bach tempos were woefully far too slow. Now, at 80, I understand: as the future gets shorter and shorter, one wishes to savor each note.
#piano
#pianomusic
Follow Me! (solo piano)
This is another of my transcriptions for solo piano of a choral piece of mine, Follow Me!. You can listen to the original choral piece at https://soundcloud.com/hilton-kean-jones/follow-me-satb-with-edit.
Have This Love (solo piano)
This is my own solo piano transcription of my choral piece, Have This Love. You can hear the original choral version at https://soundcloud.com/hilton-kean-jones/have-this-love. I’m in the process of making keyboard (either solo piano or pipe organ) transcriptions of some of my choral/vocal and solo instrumental pieces. No particular reason other than I enjoy playing them! LOL
Time Will Tell
This pice, Time Will Tell, is the first movement of a new collection of pieces, entitled Hourglass Pieces. All the movements are about time. Sheet music for this movement, “Time Will Tell,” will be available at sheetmusicdirect (https://www.sheetmusicdirect.com/Search.aspx?query=hilton%20kean%20jones) and sheetmusicplus (https://www.sheetmusicplus.com/en/category/arrangeme/479/hilton-kean-jones/)
#piano #music #pianomusic #asmr
Farewell to Old Ireland (an immigrant’s lament)
Learned a new tune, the harmonization, form, arrangement, and a drastic rewrite of the melody in the middle section of which are all mine, but it’s nevertheless a traditional Irish song about an immigrant who leaves his home for liberty in America. I tried to end the final word, “liberty,” with a musical question mark, or at least mixed emotion, or uncertainty.
This tune is sometimes titled The Green Fields of Amerikay (with that spelling). I chose to use the first phrase of the lyrics and add the explanatory subtitle.
Safe Harbor
We wrote this in January after you-know-who, you-know-what. I think Lucy’s point in her lyrics is the only answer: rest in the safe harbor of our trusted friendships. We gotta stick together! And resist!