I’m in the process of doing the necessary work to distribute three new digital albums to the various streaming services. Part of that is visiting the four previous albums of mine that are already distributed to see if they’re so awful I should just pay to have them deleted from distribution (it’s something that you can do). That entails listing to them with new ears.
While doing so, I realized I still like what I did on this album, in particular this tune, Resignation.
Here’s a link to the complete album you can listen to YouTube Music.
Hal Leonard, the world’s largest sheet music publisher, runs a site called ArrangeMe which gives composers & arrangers a vehicle to self publish their arrangements of pop tunes–Hal Leonard owns the rights to a vast number of pops songs all of which are available to arrange through ArrangeMe–and of tunes in the public domain. As well, it provides a self-publishing platform for composers of their original works. When there’s a sale, the composer or arranger make a percentage and Hal Leonard gets a percentage.
If you go to the Compositions page of my website, you’ll links to those two sites for almost all of my compositions that are for instrumental solos, piano solos, organ solos, and choral/vocal music. (I don’t bother trying to sell scores of my symphonic music and concerti since those are not really something people are shopping for.)
Pianists seem to buy my folk song and hymn tune arrangements and organists my original music although that’s not always the case. It’s not gonna pay my mortgage, but I do make steady sales. My videos on YouTube (https://www.youtube.com/@hiltonkeanjones) are my main channel for promoting my music. There’s probably other ways that would increase sales, but I’m not business savvy. Suggestions always welcome!
I love this tune: Sweet Rivers. The composer of the tune is anonymous and the tune is found in William Walker’s 1835 Souther Harmony, and Musical Coompanion. I could play it over and over again. It makes me happy and makes me smile. Check out the words and various instances of the tune in different hymnals at https://hymnary.org/text/sweet_rivers_of_redeeming_love. This is real old-timey music at its best.
The problem for most working pipe organists is that most interesting organ repertoire is too hard to work up new pieces on a weekly basis and usually too long for a service. In short, the interesting literature is suitable for recital but not church service use. Add to that is the fact that (notice I kept saying “interesting” in the forgoing paragraph) most stuff that’s the right length and difficulty for weekly use is beige arrangements of boring hymn tunes. Nothing wrong with hymn tune arrangements–I’ve written my share–just don’t make them beige and boring.
Anyway, two friends are getting married and they asked me to play organ at their coming wedding. I haven’t gone near an organ in quite a while. In fact, at 81 (this month) I’ve managed to live long enough to have two pairs of pipe organ shoes literally rot and fall apart. So, I ordered a fancy new pair of organ shoes (fancy: suede soles and built up heels) and to motivate myself to practice, I’m in the process of writing a bunch of new organ music that’s (hopefully) interesting and the right length and difficulty for weekly service use.
Each geography has its own sky. Florida’s skies are unique and amazing. There are many roadside artist paintings for tourists with purple skies. There’s a reason for that. The purple you often see at dusk is real. People want to take a little of that home with them. Sometimes, at dawn, there’s a border of lavender against the soft rose sky. It’s fleeting. Like the colors of the ocean or the Gulf, the color of the sky is constantly changing. At my age, I don’t see dusk all that often, but I see many a dawn. A lavender sky is one of my favorites.
I’m kind of feeling my way right now. All I know is I feel the urge to make music as folks might have done it in my grandparents’ day, as a informal playing of music on the home piano and while folks sat around and kind of humed along. Or…maybe if i could be a busker I would. This is an assemblage of a bunch of Irish tunes, with almost no editing, just paying one after another, all under 90 seonds (except the very last one would is 120 seconds I think). I might peel these apart and make them seperate Instagram posts, or YouTube Shorts, or not…I really don’t know. Maybe I’m feeling the need to have a gig like Eric Satie did, playing in a bar, and Debussy and Ravel (separately) would come and listen to him. So, anyway, there’s the above video which is only by means of an experiment, that I don’t quite know where it leads.
Newest piece. Not a perfect performance, but the best of 6+ takes. As a video, that’s as good as I’m going to get it. But, I like this piece and I wanted it as a video. People don’t seem to like recorded music as much as they do videos. I don’t quite understand, I accept that that seems to be true. I’m SO HAPPY with my new music stand light! I have to increase my music to 150% enlargementany more and I need LOTS of light on the score. Much better conditions now. 🙂
My old faithful music notation software will no longer work on new OS so having to convert, literally, hundreds of pieces to the new software. I don’t dare listen to any of them or I’ll never get done (there’s hours and hours of my music). But, I made the mistake of listening to this one. Couldn’t resist throwing this video together. I dressed up like this a number of years back to play the organ for a Halloween concert at the Palladium (I don’t even know if that organ there still exists). #halloween #pipeorgan #music
Composed: 2014-2015 These are all real dreams that have stuck with me over the years and that take place in a world that reoccurs very often in my dreams, ever since I was a kid. This dream world has a complete geography that is quite consistent and which I’ve explored over the decades. It’s a peculiar feeling to know that this other world exists. It seems to exist outside of this time stream…but it is very real. Score available at hiltonkeanjones.com/music.
This is first time I’ve assembled them all in one video. I’d done some, but not all of the movements in spearate movements. It was kind of fun watching this complete video on the living room TV via the Roku YouTube app. Here’s the YouTube link: https://youtu.be/lQubEagvM3s. There’s a bit of compression applied by YouTube itself, but it’s not nearly as bad as Apple Music or some of the other streaming services apply. To my ear, the streaming service which has the least offensive compression is Amazon Music.
Compression is electronic treatment of the sound that basically makes louder spots in the music a bit softer and softer spots a bit louder so you can listen to the music over the roar of the traffic when you’re driving. I’m being a bit facetious…that’s not the real reason. The real reason is that the sound coming through speakers doesn’t deal with the complete dynamic range as well as live music in a room and the human ear. The difference between acoustic music in the flesh and recorded sound is so vast that when you a hear a piece like Stravinsky’s Rite of Spring, live for the first time after having heard it only in recordings you blown away by all the things happening in the music you were completely unaware of.
I was stumbling through my files looking for a prelude for this coming Sunday’s service (it’s Pentecost Sunday), and I found this that I’d arranged during the early days of the pandemic. We weren’t having services in person because of the lockdown. Instead, we had videos of Rev. Wells preaching and lots of music tracks created by me! I wouldn’t go back to those days, of course, but it was, beyond all doubt, one of the very most productive times in my life as a musician. From what I’ve read, productive in earlier pandemics, historically, skyrockets.
This is a two movement piece. Both movements, Andante & Allegretto, are in this video. I’ve been working on this piece for a veeeeerrry long time (couple decades). There’s pieces like that that seem to take forever to fully materialize as you’d like. I think it’s done.
I’m an octogenarian. Not having achieved great fame and fortune as a classical composer, and probably never will, I continue to write and make these videos. I know why actually: composing is an activity that makes me completely lose track to time. I forget to eat. I don’t notice it’s way past my normal bedtime.
Activities that do that mustn’t be ignored. That’s something that matters to one. That’s why I continue to do this. I’m not tilting at windmills (sorry, not sorry), I’m doing this because I have a great, great, marvelously great time doing it.
The videos are just a marker for myself, that the pieces are as finished as they’re going to get. Same with publishing them on sheetmusidirect and sheetmusicplus. It’s a way of putting a pin in them.
