This was composed in 1972. It has had several versions. This is the most recent. It is a series of variations (“strophes”) on an abstract Schenkerian melodic skeleton, embellished over the course of the variations as one might embellish a raga. Unlike a raga which is handed down by tradition, this underlying structure was composed by me. Two salient features that help the ear keep its place are the tonic cadences and the move from the raised 4th scale degree up to the 5th. The score is available at hiltonkeanjones.com/scores/A_More_P…gious_Tulip.pdf.