Public Domain Angelos Akotanos – Saint Anne with the Virgin – 15th century
Recently, there was a theme build-up over several Sundays at the church where I play (Lakewood UCC, St. Petersburg, FL) culminating on a fourth Sunday. The theme of the build-up was “O God, Our Help.” So, I wrote a different prelude based on the St. Anne tune for each of the 3 build-up Sundays, playing one each Sunday, then all on the fourth Sunday.
The order in which they were written was actually 2, 3, 1, but this arrangement (1, 2, 3) seemed the best if played as a group on a church recital or something.
Here’s a link to the SCORE
Here’s a link to the MP3.
There are some recent additions to my website in the Organ and Choir listing. If you get a chance, please listen, especially to the newer organ pieces. Of course, if you know any choir directors or organists who might be interesting in any of this, please forward them the link to this post. I’d love to get some performances.
This concerto was composed in 1994 and slightly revised in 2015. It’s for piano and small orchestra (just piano, strings, and only 4 woodwinds–no brass, no percussion). The score is still being cleaned up but will eventually be available at hiltonkeanjones.com/music.
It’s an entire set, and if played as a set, then it should be played in score order; however, it’s not at all necessary to play them as a set. They really all stand alone as individual pieces that can be performed separately as single pieces or in a grouping of one’s own choosing.
I was fortunate to have the late Robert Helps perform one of my pieces twice: once at the San Francisco Conservatory of Music in 1999 and once on Hawaii Public Radio in 2000. These are the recordings made of those two performances. He was such an amazing pianist…and wonderful friend of many. Both of Bob’s performances of this piece now posted on Soundcloud: http://soundcloud.com/hilton-kean-jones/sets/salve-regina-from-roma-2.
Thanks to the generosity of John Stephan, owner of the Springs Theater recording studio (www.springstheatre.com/home.html), I have been able to record this collection; John also edited & mastered the tracks.
Below is the Soundcloud widget for Symphonic Waltz, a short, stand-alone, “overture” of the sort every composer is told they should write for orchestra because no modern orchestra will play anything longer than 8 minutes by a living composer. So…here’s my obligatory 8 minute piece. I like it, even if the orchestra board of the local amateur orchestra didn’t. They demanded that I remove their name from the dedication or they would sue me. So, I removed their name. What an honor. Isn’t there some joke with a punch line like that (“I’ve been thrown out of better bars…” or something.)
HERE is a link to a piano condensation of the piece. I think (I’m not absolutely sure) this condensed score is in agreement with the final orchestral score. It’s “close enough” that you can see what’s going on, which is the only reason I’ve provided it.
I just discovered that I’d already posted this before! Ah well…here’s the link to that one–it has a link to the full orchestral score: http://hiltonkeanjones.com/2013/04/06/symphonic-waltz/ This post has a link to a piano condesation which may be easier reading for those interested in how the notes go.
For KEYBOARD MUSIC, the suggested donation is $1.50 per movement for pieces with longer movements and $0.50 per movement for any of the Meditations & Reflections.
For CHORAL MUSIC, the suggested donation is $0.75 times the number of photocopies you plan to make for your chorus (e.g. 16 photocopies X $.75 = $12.00).
These are only suggested donations. Pay what you can. Some can afford more; some can afford less. If you cannot afford anything, that's OK. Download them for free. My true reward is knowing my compositions are being played and enjoyed.
Please total your donations for various pieces into one figure to minimize my PayPal processing costs.
This is not a tax deductible charitable donation.
Included is the right to duplicate the number of copies you will need for performance by your choir. It does not include the right of electronic distribution for any reason or to distribute hardcopies for any reason other than your own rehearsal and performance.